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Mona and her brother and parents went to a Flea Market for the afternoon. Her brother was looking at Roller Blades, her mom and dad were looking at Antiques, but Mona just sat on a bench, looking absentmindedly up at the sky.

"Another day in this boring town..." Mona thought to herself.

It was then that Mona's mother walked up to her. "Hi, Mona. We're going to go get some lunch now. Let's find Charles and Pablo and go back to the car!" she said.

"Okay..." Mona said.

Mona's mom saw her husband and son at a kiosk, and walked up to them. Mona walked up with her mother, but she stopped when she saw a set of paint in jars, spray paint cans, and a large paintbrush on the table at a market stand.

For some unexplained reason, Mona could sense a gut feeling that there was something very special about that Paintbrush. 

"Hey there, little lady. You seem bored, like you feel like your life is missing something. Try this paintbrush...it's not just ANY Paintbrush, it's MAGICAL!"

Mona asked the woman who manned the market booth how much the Paintbrush cost.

The woman dressed in Hippie garb said "You pay 5 dollars for the Paintbrush, and you keep the paint jars and Graffiti Spray Cans for free. I'm making this deal for you because you need this." said the Hippie Lady.

"Okay, here's five dollars." Mona said, paying the Hippie Lady.

"Let me put these in a burlap sack for you..." said the Shopkeep.

After the Shopkeeper bagged Mona's new Art Supplies in a Burlap Sack, Mona carried the sack in her arms and walked towards her mom and dad.

"Oh, honey, what did you get?" Mona's Dad asked.

"I got some Art Supplies from a tent over....there?!?!?"

Mona gasped when she realized that the tent where she had bought the art supplies had disappeared into thin air.

So the family got Mona's brother, Pablo, and the family went out for lunch at the Hamburger Restaurant.

 

Later that afternoon, Mona took her Brush and paints and went for a walk, until she stopped at an empty store building, with a sign that said "For Rent" on the door. Mona decided to paint something on the empty wall on the back.

She was deciding what to paint when she decided to paint a window. So she painted the outline of an old-fashioned clay and brick house window. As it was drying, Mona got the idea to paint a multicolor backdrop in spray paint, so she shook up her cans of spray paint and got to work.

Then, when the outline for the window dried, she painted a field of flowers with the canopy of a tree peeking through the left side on the other "Side" of the "Window".

"It needs something else..." Mona thought to herself. She then declared to herself "I know! Butterflies!"

So Mona painted two Butterflies fluttering out of the "Window" in the wall.

A bright yellow light flashed over the window, temporarily blinding Mona. When Mona opened her eyes again, she could see that the flowers on the ground on the other side of the window were swaying in the wind, and the Butterflies fluttered away.

 

Overcome with Curiousity, Mona reached an arm at the window and gasped when her hand went straight through. At that point she decided to jump through the window, and was shocked and overjoyed at what she was seeing: A Field of Flowers, trees, and on the horizon, there were hill dotted with Trees and flowers. Mona ran through the fields, exploring the landscape, until she reached empty whiteness.

Mona decided that she would come back tomorrow to expand the landscape after school, so she jumped out the window, grabbed her art supplies and headed home.

 

The next day, Mona went back with her brother Pablo to the empty store front.

Mona threw her paints and brush through the window, and jumped through it herself. She carried her bag with her as she walked to where the Landscape faded into blank white. She painted a waterfall with a River, a Pine Tree Forest, Ducks, Fish, and a herd of Deer.

"Wow, Mona! This is amazing!" Pablo gasped.

Mona and Pablo felt thirsty, so she tried taking a drink of water from the River, and it was the most delicious water she ever drank. Mona decided that she was hungry, so she painted a farm house, and a field full of yummy Fruits and Vegetables. They ate an Apple and a Cabbage.

Then Mona decided to head home.

The next day Mona brought her friends Helen and Jeff to the mural she painted.

"That's a pretty painting, Mona!" Helen said.

"Check this out!" Mona said, sticking her hand through the "Window".

"Whoah!" Jeff gasped.

Mona jumped in and said "Come on in!"

Helen and Jeff then jumped through the window, too. They were pleasantly surprised by what they saw.

"Cool! How did this happen?" Helen said.

"With my magic brush!" Mona said, holding up her paintbrush. "I paint things with the Brush and it comes to life!" Mona said.

"Do you think you could paint a Go-Kart Track? Or a Roller Coaster?" Jeff suggested.

"Sure! I can make us those!" Mona said.

Mona then painted a Go-Kart Track and a Roller Coaster. The three pre-teens frolicked for hours riding the Roller Coaster, Go-Karting, swimming in the Waterfall Pond, and eating fresh fruit.

The three kids explored and added on to this new world for almost a week, until the next weekend. The next weekend, a Demolition company bulldozed the building, destroying Mona's mural and the portal to the new world with it.

Mona sat in her room and cried. She decided to go for a walk. She passed by a fence and painted Sunflowers on it, then she passed by several store front buildings and painted a Cherry Blossom Tree in front of Mt. Fuji, a Seascape, and a Tiger in the Jungle on each of them. When she got back, she painted Ivy vines on the fence in front of her own house, and went inside for the day.

The next day, her mother walked in and said "Mona, I have a present for you!"

"What is it?" Mona asked.

Mona's mother then gave her a Canvas.

"Thank you, mom!"

"Well, you've impressed the entire town with your murals! You've earned a little reward!" replied Mom.

When Mona's mom left, Mona got an idea.

She painted a window on the Canvas showing a Flower Field. Mona then painted Butterflies. When Mona hung the Canvas on the wall, a bright yellow light enveloped the "Window" and the Butterflies fluttered off the Canvas and out the open window.

Curious, Mona stuck her hand into the window, and her hand went through.

 

Break into a Thin Ocean Place

Drawing breaths between gritted teeth, in response to more up ended bins, rubbish strewn wide and broken windows. Sonya also noticed still wet graffiti daubed on toilet walls and tried to ignore Faberge egg shapes morphed into sharp edged phallic looking shapes as she walked down to the water. And wondered about necessity to appreciate this daubing as art, no matter how she looks, nothing artistic jumps out and bites her.

There, as if an ultimate contrast to her mood, she saw a vision of happiness. A young woman was throwing a stick for a big, handsome dog. He tore back and forth on narrow shores, bounding and leaping with pleasure. As if this tripled any other euphoric canine experience. Dog body language said, beach, walk, best day ever!

Rather than harbour thoughts of dog joy, Sonya forced herself away, kept her lips pursed, almost bit her tongue. Conceded she missed owning a dog, unconditional affection, canine happiness vibes and simple dependability. Another thing her ex had removed. She gathered herself inward, instead of speaking, else her anger at yet another vandal attack gets loose on some poor innocent dog walker.

Thin edge of a wedge pushed more positive vibes as Sonya felt water curl around her toes. Warm and welcoming, liquid did not cut, punish or destroy. Instead licked her ankles. Salt in the air caresses her stomach. Ocean rolls, connecting with her belly. She looks at minute details in the sand, tiny undulations and high water marks.

Not far away from the woman and her dog, was her neighbour, John. For the umpteenth time, told herself their relationship possessed more dimensions than proximity. Once again, with his tripod set up close to water's edge. When he noticed Sonya, he waved. A grateful acknowledgement, stronger than earlier visions of hooligan damage. Feet propelled her in his direction. As if repelled by opposite magnets she associated with still dripping graffiti.

?They're always changing,' John said, enamoured by watery weeds. ?Light, current, wind, way they float and move, fluttering on all sorts of rhythms. I've taken dozens of pictures and each one is subtly different. Can't decide which camera aperture captured image is best.'

Something about his manner, broke through Sonya's negativity. To her, John brought good vibes; a token photography magazine in her letter box, or tiny, still warm pancakes, delivered on Shrove Tuesday. Little things, a smile, and raised eyebrow of recognition, visible through a crowded meeting hall. John embodied more family member traits than a orbiting merely as a neighbour. Indeed, less judgmental, because she could talk more candidly with him, than to her own brothers. 

?My dad believed we're made up of invisible currents. He used to say there were ?thin places' where we're closer to unseen worlds.'

?Name a thin place.' John asked without looking up from rock puddles and weeds.

?Ocean side. You stand next to seas and you're in touch with longings and losses.'

?Longings and losses. Does sort of sum up ocean side sensations.'

Her mind swung back to a time when no excitement competed with a beach arrival. In a loaded-up van, full of siblings arguing about seating arrangement. Soon about to glimpse blue waves in gaps through bush, out a window past her father's sun spot flecked arm. Heavy wheels, produced new divots on well-worn tracks, which pushed through thick Banksia trees and lower growing melaleuca shrubs.

?Won't be long before I can bring my hives down here.' Her father scanned vegetation more than actions of his offspring. ?Be a mass of flowers in no time.' 

All about blooms, seasons, hive sites, according to Dad. Whereas back then Sonya lusted after empty beach sands, shifting waters, salt spray and next best-ever-special shell discoveries. A twinge of nostalgia for a more pristine coast needled. Too many people, houses and cars pushed in these days. If only she might travel back to, so much easier, childhood days.

?So much easier now cameras recognize low-light algorithms. I can past water surfaces.' Interrupted John.

?You've crossed another thin place barrier.' Words released while Sonya maintained her nostalgia. Driving in as kids, many corrugated minutes after they'd left smooth highways, it was possible to note subtle differences. Top sand which faded in two long wheel spaced strips, first grey, edged with wild oats and twigs, turning to paler as dunes dominated. Big trees decreased until low scrub took over. Ought to be clear lines on a map to mark zones. Smells of salt, open water expanses, rushing waves drifted into wound down windows, as deeper breaths were drawn. As the last hill was crested, full views of the beach visible. Blue of water and sky almost melting into each other. Just as quickly hillocks enclosed again, sometimes they caught sight of swamp reeds in a low depression.

Dad often said, ?some years reeds flower. Each bloom has male and female parts, you know. People call them Cat's tails. But when they fluff up and explode into a mist of flakes, more like tiny flea infestations. Useless to bees, though.'

Words only wafted like those seeds until hidden ocean blues were revealed.

Further away, before the family car vanished down unsealed tracks, closer to highways where tiny shops encouraged those here for surf activities to partake of fresh fish and crisp fried chips. Tantalizing glimpses of ocean vistas. Promised ride-able waves and cooling swims. Now any distance between buildings, commercial businesses and beach drastically reduced. As if dunes and coastal shrub had been chewed away by some introduced predator.

Dad, sure to comment, bee sites so much further away now. He did keep struggling until he sold remaining hives to a man who marketed, via face book and websites, coastal honey (whatever that meant) at grower's markets.

Sonya recalled coastal flowers glossed only by rising, or setting suns. No need to take out phones, post on Instagram. And John's photographic activities weren't they just a step up from juvenile, takie-photos.

Childhood arrivals meant a laden station wagon being embraced by sand hills, followed by expectations displaced by sheer joy of being near this tumbling blue goddess. Father's words, ?everything's changed.' As if citing a thin edge, evoked sensations of lust for ownership strong enough to preserve swaths of coast and grieve for environments lost.

John broke through Sonya's memories touching a cold finger to her wrist. Leaving her wondering, how does he do that?

Sonya looked around and concluded, current arrivals didn't provide similar sights nor anticipation. Especially when she need only glace to see evidence of constant vandal attacks.

Shading her brow, looking at this view, she took in a narrow beach, captured by rock pools soon to be refilled by incoming tides. Tides, time and rising oceans, along with crowds stolen those remembered wide shores. Recalling how even on the grayest of days water glimmered a most extraordinary blue, as if generating its own light. Possible to follow line of shores, see hills rise around quiet bays, detect summer green grass slowly fade toward winter brown.

She wondered, how long before local marauders launched projectiles into those ocean edged pools, rubbish tipped from bins, plastic bags, broken surfboards and random shrapnel collected into crevices.

While she was happy to linger, John again interrupted. ?We best make a move, before we need water boots to make the car park.'

As they walked John's camera gear clunked.

?You really have to stop getting so cross about things.'

?It's that obvious.'

?Look on your face, gave things away.'

?And here was I thinking an encounter with dog and stick brushed clenched jaw and wrinkled brow away.'

?Not quite. Besides you seldom beach walk when you're calm and collected.'

?Again, you're right. I hope for better therapy, thin edges to take me away, confirm longings, give me ability to ignore losses.'

Rain out over the ocean obliterated a stretch of ragged cliff with squally grey sea beyond dissonance between rock and water. While she looked Sonya craved her tempers breaking like a thunderstorm, just so she could relish a post-tempest freshness. A metallic aroma lifting in wafts of released moisture equal to one-time aggression.

A toughness of existence is battled out here. Evolution harsh on lands edge which drifted away form a great southern continent, breaking up under liquid pressure. Boundaries established with flora defined like sea and land ? no millimetre surrendered without a battle of will. Each layer of land from the ocean to mountains is defined by the ability to conform to atmospheric pressures. A drop in wind is a moment to be savored as precious time before the next front from our closest star or celestial circling rock decides to wreck equilibrium of our floating oasis and create majestic chaos.

Here is a place where you just exist and feel lucky to witness.

Buff-green swellings indicated elevation and magnitude of land-ocean edges. In one dimension, water appeared to be part of land, while obviously and entirely two separate elements. Yet residing on a thin edge, longed to be one in the same and shake off their separation. As if another dimension existed only in this place, where water and land met.

Sonya hears again her father's, ?closer to unseen worlds,' belief in the fantastic. What if she could vanish on those invisible currents? Or devise a way to make stronger connections with shifting waters and sand to push away her tempers. If so who'd shout at Councillors, who'd write to newspapers and ultimately who'd keep powerful developers away.

Gulls, dark headed and greedy, spun on thermals above cliff edges and then dropped away, like bit parts in some conjuring trick. Seemed to be more birds lately, or maybe they stuck closer to beach side all-you-can-eat rubbish bins. Perhaps envoys from more pristine shores sent to warn, if only tone-deaf humans learnt their idioms.

Heading back towards houses John and Sonya encountered butterflies dancing in a depression between low scrubby sand hills. Moments later, before John could swing his camera into use, these insects were gone. ?Damn, missed a calendar shot, right there.' As if the extent of any interaction with scenery reduced to a monthly portal only available free from the local chemist.

Glare from white sand edging an estuary below cliffs made Sonya squint as if walking from a darkened room out to a whitewashed courtyard. Her shoulders stooped, and sweat gathered underneath Sonya's shirt.  

?All very beautiful,' John said, looking again out to sea, ?in some ways more real than anything I've seen.'

?So how do you preserve this serenity?

?I try not to think about big things, focus instead on minuscule elements, weeds in a rock pool resembling green hair floating in tiny currents, butterfly wings, a dog chasing a stick.'

?Yet, look out there, its huge. Makes me feel helpless, as if I can't possibly fight against so many negatives.'

John reached out, held his hand lightly over her shoulder. Almost touching, for the umpteenth time Sonya noticed yellow flecks in his eyes. ?What is it you want to change?'

?I'd be happier, calmer if council members would listen to suggestions, especially about development applications. Be fabulous if policemen they send down here, during summer's influx did something more pro-active about willful damage to change rooms, toilets and beach rubbish bins. But those fly in, fly out authorities don't care. Shouldn't be so hard to identify, they keep daubing repeated symbols. You'd think officials track down who is Tap'n Dude? '

?At least the Council purchased some of my prints to display in public buildings, and ensured an annual arts festival. I feel affirmed, as if I've broken through what might be damaged.'

Sonya smiled. ?You are my best friend John. But I get angry. Willful destruction of facilities and the environment are issues more than recoverable by pretty pictures and art works.'

?Maybe we could organize groups of those kids to daub artistic creations, not only along foreshores but within the age care village. Might take a while, but things may change as those kids grow up. Encourage more people to visit your father's thin place.'

?Maybe then they'd fall through and vanish into unseen worlds, along with broken shorelines and ugly graffiti.'

?A tad cruel to wish on another person. Besides I think I've worked out who is Tap'n Dude. Got to be Saltant's boy, Joel.'

?How'd you figure that out?'

?Crosswords, it's another word for leaping, jumping, dancing. Sort of a puzzle, shorten words, sometimes reverse their names, I've been watching, guessing, making connection. Plus other tiny bits of evidence. '

?Such as?'

?Spray cans out in their rubbish, same name on the back of his cap.'

?I know you focus on small things, but I'm not convinced, photos, murals and art work can make a difference.'

?No matter, Joel will be the first one I approach. What d'you think?'

About to reply, too slow, lips moving but words not ready. John continued. ?Seems to be a creative force. Possible to be channeled. I'll ask if he wants to be part of an artistic project, to splash new images and pictures around. Worth a try, I reckon.'

Sonya stamps her foot. Believed John needed to fix a wide angle lens to that camera of his. Take some images to demonstrate intensity of increased storms. Show less run off and flushing of estuaries and rising tides eating away at the very bedrock. Only then would he be able to appreciate how loss functioned.

No matter how much nostalgia Sonya evoked doors to unseen worlds were creaking closed. Thin places growing scarcer by the minute.

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